"O'Keeffe's New York City is a living organism, a breathing giant. Original illustrated dust-jacket over tan cloth, with silver lettering on spine. His conviction that sexist imagery, codified around 1900, still dominates the popular imagination informs this brilliant, often startling study. Finally, he traces a trajectory of fantasies involving men attaining supermale status from Nietzsche to Ezra Pound and Hitler. Rider Haggard, in Jung's psychology of unchanging archetypes, in the social Darwinist teachings of Herbert Spencer and William Graham Sumner. Shuttling between high and popular culture, Dijkstra argues that antifeminine, racist and imperialist attitudes merge in Conrad's Heart of Darkness, Fitzgerald's The Beautiful and the Damned, in Kipling, Edgar Rice Burroughs, H. Mencken, Elinor Glyn's bestselling 1907 potboiler Three Weeks, and unravels the sexist assumptions of sociologist Emile Durkheim, sexologist Havelock Ellis and philosopher of love Remy de Gourmont. He unmasks predatory females in Hemingway, H.L. FROM THE PUBLISHER - Beginning with vamp' Theda Bara's 1915 silent-film debut in A Fool There Was, Dijkstra (Idols of Perversity), writing with passionate feminist scholarship, decodes images of women as predators, destroyers and vultures who deplete civilized males of their creative energies.
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